Mirch is 2010 bollywood Comedy, Drama, Fantasy film. Maanav is a battling movie producer who won't bargain on the content he has composed. His sweetheart Ruchi, an effective film supervisor, orchestrates him to meet film maker Nitin. Nitin likes the content yet isn't extremely certain about its film industry potential. Maanav then recommends a story from the Panchtantra: A lady is found in the act with her darling by her better half but, she figures out how to wriggle out of it without scot! Nitin cherishes the story however sees it as excessively short for an element film. Maanav then makes three additional accounts dependent on a similar reason: as it were, the Panchantra story heads out in various variants to the cutting edge times through the film. The four stories are woven together by a typical story. Mirch itself echoes this structure, with four stories blending with the fundamental account.
Kashi(Rajpal Yadav) is a specialist in India in antiquated time. He has a wonderful spouse Maya (Raima Sen) who cherishes him with enthusiasm. He gets a greeting from the ruler to work in the castle. He discloses to Maya that it is an extraordinary open door supposing that the lord prefers his work, they can get rich. She is disturbed in light of the fact that she would not like to be separated from everyone else, except Kashi persuades her. Toward the evening Kashi's companion prods him that his significant other is excessively beautiful for him to deal with and she will bring in another man the second Kashi leaves for the city. Kashi irately excuses it however gets dubious. He stows away close in his home to watch his better half. His companion returns home requesting Kashi. Maya says spouse isn't at home. The companion at that point requests water, which Maya goes to him(without opening the entryway), he attempts to make progresses towards her yet she tosses water all over and he flees. Kashi is cheerful that his significant other is amazingly devoted to him. He sneaks under the bed to astonish her. Maya at that point goes into the live with a hunky prince(Arunoday Singh). She unexpectedly understands that her significant other is stowing away under the bed. She at that point manufactures an account of how she was told by the celestial prophet that her significant other has misfortune on him and he will kick the bucket inside a couple of days. To dodge this she should perfect with another man so the misfortune is redirected towards the subsequent man. The ruler cooperates saying that being a kshatriya he is destined to ensure others and he is "committed to perform his responsibility". Kashi now in predicament, regardless of whether to stop them and bear the "misfortune" or weakly have his significant other have intercourse to another man directly on the bed he that he is stowing away under.
This story is set in bygone eras in Rajput Kingdom. Raja Nirgun Singh(Prem Chopra), at the mature age of 70, has a youthful spouse Lavni(Konkana Sen). Lavni isn't happy with this marriage and examines this with her house keeper Kesara(Ila Arun). Kesara discloses to her that it isn't phenomenal for sovereigns to request "administrations" from youthful and dependable subjects. Lavni discloses to her that she loves Chandresh(Arunoday Singh), who is one of the King's subjects and is a dear companion of the King. Kesara gives the message to Chandresh, who declines it saying he can't do this since this would be undermining the lord (he can't inform the ruler concerning the sovereign's advances either as this would mean a capital punishment). Kesara reveals to him that he will be compensated liberally by the Queen. On hearing this, Chandresh says that he is pleasant however he has a couple of conditions and will uncover them individually. Every one of these conditions require consummation of apparently unimaginable assignments which he advances just to hinder the Queen. Be that as it may, Lavni finishes these tasks(from culling the tooth of the lord to disposing of the ruler's pet feline). He sees the Queen's urgency and spots one final assignment, that whatever "occurs" must occur before the King. The Queen says yes to this one too. One night the ruler and sovereign are sitting in the nursery. Chandresh strolls in and the sovereign requests that he bring organic product from the tree in the nursery. Chandresh climbs the tree and descends requesting expression of remorse. The ruler approaches him for what he saw, Chandresh answered that he saw the lord and sovereign in sexual grasp. The sovereign oddballs that guarantee furiously, saying this is something that has never under any circumstance occurred, take off alone presently (mortifying the ruler all the while). Chandresh says that, and still, at the end of the day, his vision *can* still occur, if the tree is controlled by a soul. Lavni excuses that as a fantasy, and prompts the ruler to check this for himself. The old King, presently with blended sentiments of humiliation and outrage, climbs the tree. Being old and fragile, he moves up with some trouble and afterward stalls out on head of the tree and can not handily descend. Then, Chandresh and Lavni down beneath get into a sexual grasp. The lord sees them in the demonstration from up on the tree however is as yet unfit to descend the tree. At the point when the ruler does inevitably figure out how to descend, he sees the sovereign and Chandresh are completely dressed and sitting ordinarily as though nothing had occurred. The lord is persuaded that the sexual grasp he saw was only a stunning vision and requests the tree to be chopped down, pronouncing it had.
Manjul(Shreyas Talpade) and Manjula(Raima Sen) are an apparently ideal couple living in advanced Mumbai. Manjul is a trickster ordinarily who likes to take difficulties. During a gathering, he asserts that he can take up camouflage and change his quirk that even those near him can't remember it. To demonstrate his point he designs a trick. He tells his significant other that he is working in office, and his old customer will be getting back home for supper. His vocation relies upon this so she should treat the manager well. Manjula uninformed of it invites the boss(manjul in mask as an elderly person). Serves him food (the dishes told by Manjul which he said the supervisor cherishes). The manager makes lewd gestures towards her and Manjula gets steamed and secures herself in the washroom advising the supervisor to leave. Manjul then uncovers his trick and Manjula comes out. Manjul later asks her tongue in cheek that she didn't satisfy the supervisor in spite of the profession opportunity consequently, to which Manjula jokes that who might fall for an old run down man. This places another arrangement in the brain of Manjul. Following a couple of months he asserts he is leaving town for work. He masks himself again as Mark(this time as a dull complexioned youthful south Indian man) professing to be a school time companion of Manjul. He gets to know Manjula, winning her trust. He does all that Manjula gripes that Manjul doesn't utilize, while likewise flaunting how he was better than Manjul in each viewpoint. Manjula unconscious of it just giggles it out. This continues for two days. Mark(Manjul) at last methodologies Manjula asserting that she merits better to which Manjula rejects saying that he may be better however he isn't the one. On this Manjul uncovers his character. Manjula gets agitated saying that Manul is attempting to test her affection, and he doesn't have confidence in her. This causes a crack among them, and their relationship is repelled. After one year, the couple has a truly stressed relationship, they don't converse with one another. Manjul has become a compulsive worker, while Manjula attempts to look for comfort in Art. One day in a workmanship display she meets a painterwho commends her excellence and offers to make her the model of his artistic creations. After a discussion of expressions Manjula acknowledges his offer and through the span of opportunity they approach. Manjula now engages in extramarital relations with the painter. One day when Manjul is leaving for the Airport to go to a gathering, Manjula calls the painter home. They are sleeping when Manjul unexpectedly finds that he has overlooked his tickets, he gets back, and discreetly enters the house(it was late night, not to wake her up). He is stunned to discover Manjula in bed with another man to which Manjula obtrusively answers "I thought it is you again in a camouflage."
Asu Hotmal (Boman Irani) bids farewell to his significant other Anita (Konkana Sen) who is troubled that her better half needs to leave town over and over for business. In transit, as Asu chatters with the taxi driver, he uncovers that he laments that he got hitched and that the single men have a good time. He at that point goes to a lodging where he approaches the head servant for a hooker. The hooker shows up wearing a Burka. Asu offers her beverage and food, the hooker uncovers herself as Anita. Trapped in a humiliating circumstance, she reverses the situation on him and indignantly questions why he wanted to look for another lady and that she turned up as a hooker just to get him in the demonstration after her companion Sakina saw him look into the inn. At that point, she secures herself in the washroom where she calls her pimp, disclosing to him he has coincidentally set her up with her own better half. To fix the circumstance, she gets the pimp to barge in and reveal to Asu that because of police observing going on today, he won't be capable send the hooker. Anita, while still in the bolted restroom places some Glycerine in her eyes to counterfeit the tears and afterward comes out crying saying she now no longer needs to be with him. Asu tumbles to his knees asking that he has committed an error and will effectively compensate for it. Anita pardons him and they embrace. At that point, Anita asks Asu what amount was he going to pay for "the administration" today around evening time. Asu answers 2,000. Anita icily says that, all things considered, for him to compensate for today, she needs gems worth 200,000 from him. Asu concurs right away.
The maker Nitin, who was getting a charge out of the accounts appears to be obviously disturbed after the fourth one. He rapidly leaves office and tells maanav that he will call him about it. He irately arrives at home and it is uncovered during a contention with his better half Seema(Tisca Chopra) that he had been in a comparative circumstance simply like the fourth story. He asks Seema what is reality, to which Seema answers that it is for him to choose. Nitin then embraces his significant other, acknowledging it is better not to uncover past feelings of spite as it will destroy their relationship.
Ruchi in the last scene advises Maanav that the maker has endorsed his story and they celebrate.